Hugh Grant reportedly came within a pen-stroke of taking Charlie Sheen’s place on Two and a Half Men—for a deal Chuck Lorre says was worth $750,000 an episode. Then Grant walked away. The detail that makes the story feel like an alternate-universe sitcom casting call: his biggest concern was performing in front of a live audience, and Lorre says he offered to replace it with canned laughter.

That account comes from Lorre’s memoir, Sitcom, and a recent interview about the book. It is Lorre’s recollection, not a public account from Grant. Lorre also offers a theory about why the actor declined, but he labels that theory as a guess. So the confirmed story here is not “Grant rejected the show for this reason.” It is that the creator says negotiations went remarkably far, a major offer was made, and the actor ultimately did not sign.

The replacement search started after Charlie Sheen left

In 2011, Two and a Half Men had to decide whether it could continue without Sheen, who had anchored the CBS comedy as Charlie Harper. Lorre writes that he initially thought the series had reached its natural ending. CBS chairman Les Moonves pushed for another season with a new lead, turning a casting problem into a question with no obvious answer: who could step into a hit built around Sheen’s persona?

Lorre says he and producing partner Lee Aronsohn met Grant and wrote test scenes so the actor could see the role they had in mind. The character was designed around Grant’s familiar screen manner. In other words, this was not a quick guest-star conversation. In Lorre’s version, the show was exploring whether Grant could become the new center of the series.

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The live-audience issue had a very sitcom-shaped solution

Grant’s reported hesitation was the prospect of acting before a live studio audience. Lorre says he told Grant the audience could be removed and the show could use prerecorded laughs instead. It is a wonderfully specific wrinkle: the man being considered to replace a sitcom star was apparently uncomfortable with one of the old-fashioned rituals of making a sitcom.

According to Lorre, CBS and Warner Bros. Television offered $750,000 per episode and a four-day workweek. He says Grant’s team had advanced to contract discussions and that Grant was “about to sign” before abruptly leaving the room. Lorre writes that someone from Grant’s team later told the producers he would not join.

Those details remain attributed to Lorre. The memoir does not establish a signed contract, and Grant’s representative did not respond to PEOPLE’s request for comment. The difference matters: an almost-casting story is fascinating on its own, but it should not be retold as if Grant actually took the role or publicly explained his decision.

Why did Grant walk away? Lorre says he can only guess

In his interview about Sitcom, Lorre speculates that Grant may have decided the job was not the right career move and that artistic priorities mattered more than the money. He praises that possibility, but he is explicit that he is guessing. No source in the public account confirms that this was Grant’s reason.

That uncertainty is the real dangling thread. The offer was enormous; the role was tailor-made around Grant’s persona; and the audience concern, at least in Lorre’s account, had an answer. Yet the actor changed course at the last moment. We can say what Lorre remembers. We cannot turn his interpretation into Grant’s own explanation.

Ashton Kutcher became the actual alternate timeline

After Grant declined, Moonves told Lorre to meet Ashton Kutcher. Kutcher joined the show as Walden Schmidt, a wealthy internet entrepreneur who moves into the Harper home after Charlie’s exit. The series then continued for four more seasons and 84 episodes, ending in 2015 after 12 seasons, according to PEOPLE’s account.

That makes the Grant story more than a casting trivia footnote. A different choice could have changed the show’s rhythm, its jokes, and the shape of its post-Sheen years. Grant never played the role, so there is no alternate episode for us to inspect—just test scenes described by Lorre and an unusually close call preserved in a memoir.

For sitcom fans, the fun is imagining the version that nearly existed: Hugh Grant facing a studio audience, Lorre offering to remove it, and the actor deciding that even a three-quarter-million-dollar episode was not enough to make the next step feel right. The punchline is not that Grant made the wrong choice. It is that one of television’s most improbable “what if?” castings apparently got as far as a pen in hand.

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Written by The Mother of All Nerds